The last days of PermaPress Recording were a blur.  Well, it was more than the last few days.  It was more like years.  I found myself perpetually juggling seven or eight different albums, all in various states of creation, at the same time.  Mixing these three, tracking these two, mastering one, tracking and mixing one at the same time, and in preproduction with one too.  While that was going on, people were coming in for one off days here and there to make demos, the occasional rapper or hip hop producer would rent the studio (I think just to take pictures with the mixing board), and I was sometimes running off to Northern California to work with Jerry Joseph at TRI.  With escalating cost of living in Portland, and running a business that barely makes the margins anyway, staying this busy was the best way to keep getting by.  The upside, I worked a lot.  That's alright.  I love to create music.  The downside, sometimes I was probably so burnt out, I didn't enjoy a record that I was working on like I really should have.

Back in June, my good pals from Calgary, Canada - The Mandates - began announcing that they had a new record coming out a little later in the year called Dead In The Face.  The cover, pictured above, is awesome!  I was totally jealous.  I had worked on a lot of records with this band over the years.  I love them!  It was their love of The Exploding Hearts that brought us together. 

I first worked with their guitar player, Brady, in the band The Fun Funs.  No joking with that name.  Lots of fun if you can find that record. They came to Portland and we kicked out a record in two or three days. Not much later, Brady brought me his new band, The Mandates.  I mixed their self-titled debut and then a single or two before they drove the van from Calgary to Portland, OR, to record their second album, In The Back Of Your Heart.  Now that was a memorable time.

We had so much fun recording that LP.  We worked hard and played hard.  Around then, the dive bars in Portland hadn't quite disappeared and we hit them every night after the sessions.  I think Wickens (The Mandate's other guitar) even stayed around for a few extra nights.  Was that around Halloween? 2013? We made a tough little rock record.  It was the reflection of us; a midnight gang of gutter club musicians. It rained a lot.  It was a perfect session. And you can listen to it!

So you can understand my jealousy when I found out about this brand new album coming out called Dead In The Face... with the killer album cover. I found out it was streaming on Exclaim! and I caved.  I had to listen.  I think I was just doing it because I wanted to make sure that the albums I had done with them sounded better. I hit play, first song starts shredding my little radio's speakers with ripping guitar. This sounds really good.  God damn...

Then it starts to sink in.  I know this song.  I look at the title; Baby, I'm an Outsider.  Yeah, I mixed this one once.  Did they redo it? I begin to read down the song list. Ramalama June, On the Run, Louder Than Before, In My Bed, and Hello T'Jane    I've mixed all of these songs before.  But this isn't either of the first two albums.  When did I do this? 

I began reading the article on Exclaim!  Yep, tracked by Craig Fahner and mixed by Pat Kearns.  It said it right there.  I laughed pretty hard at myself.  But I don't want to make a habit of this kind of thing happening.  I mean the forgetfulness, not the laughing.  Being able to laugh at yourself is a good thing. 

It's a goal of mine to get The Mandates down here to the desert.  I hear that Canadians like to come here.  Not much sun up there in the winter, I bet.

Stay tuned for more on Craig Fahner.  That guy is something special.

Listen to and buy Dead In The Face.
https://mandates.bandcamp.com/album/dead-in-the-face-5

I closed PermaPress Recording in Portland, OR in late April, 2017.  It took five days to break the studio down and pack it into a Penske Rental Truck.  Currently, much of the studio is living in a Yucca Valley storage unit, waiting for the next studio to be finished.  The studio's guts - some mic pres, outboard analog compression and my AD/DA convertors - are set up beside a picnic table in our 550 square foot cabin in Mojave Desert.  For a few months more, I'm mixing and mastering and doing some tracking in our little cabin.

One of the last records to be completed before shutting the doors to PermaPress was The Resolectrics' second album, Open Seas.  I recorded and mixed their first album, High Water, in 2011.  It was released in 2013.  Open Seas was recorded in late 2016 and early 2017.  Finishing the mixes to Open Seas was one of the last tasks to be completed at PermaPress. And if I have one regret about shuttering my Portland, Oregon, recording studio, it's this band.  I love them. I love working with them.  And I hope that moving a thousand miles away won't inhibit us working together again.

The songs on Open Seas are all A+ tunes.  Excellent tones are played by all the three Resolectrics.  This band is a perfect balance between the three core members; Tate Peterson on guitars, Bob Dunham on bass and John Becher on drums.  Tate and John split the lead vocals.  More than once, while mixing this band, somebody has knocked on my studio door asking,  "Who is this great band?"

The Mojave Desert makes a small appearance.  My pal out here, the amazing Dennis Moody, did the mastering.  This is the first project that Dennis and I have worked on together and I'm thrilled with his work. 

The Resolectrics rarely make it outside the Pacific Northwest.  Maybe someday, we can bring them down to the desert.

That Much Further West Podcast review of Open Seas

The Resolectics on iTunes (both albums!)

The Resolectrics website

After about eighteen months of living and working full time  off the electrical grid - powered by the sun, the first fruits of my labor out here in the desert are becoming available for your listening pleasure.  The Terry & Louie album, "... A Thousand Guitars," might be the most anticipated of the bunch and it's well worth the long, long wait.  The album is all killer, no filler; ten powerpop rockers as you should expect from Terry Six and King Louie Bankston - even if it took them a full fifteen years to follow up their old band, The Exploding Hearts' classic album - Guitar Romantic, it's well worth the wait. 

Terry Six tracked the album expertly in San Francisco and Oakland studios and then sent me the ProTools sessions to mix down here in my cabin.  We passed mixes back and forth sporadically for a few weeks before Terry took the drive out to the edge of civilization to finish the mixes with me here in the Mojave Desert this past April.  Ardavon Fatehi, the director of the upcoming official documentary about The Exploding Hearts, also joined us with a film crew to document the completion of the mixes.  I'm sure my face went pale when I saw the film crew's lights being set up in my studio apartment sized home and work space.  I was pretty sure, due to their size and the light's intensity, that the film lights would crash my power, but fortunately, it was all smooth sailing.

The title track is my pick for you to put on your stereo right now.  Make sure you crank it up to eleven! 

I'll be posting about a few other recent releases in which I'm involved later this week. 

Get Terry & Louie - ... A Thousand Guitars
https://itunes.apple.com/album/id1422744635?ls=1&app=itunes

Tuff Break - Terry & Louie's label