The Reverberations and The Cool Whips both have songs used in the recently released independent film, Woodstock or Bust.  I haven't been able to watch the full film yet.  You can find it on YouTube, Amazon Prime, and a few other places for around $4.  We attempted to watch the film but it "wasn't available" on our device of choice, an iPad. 

But we did get to watch the trailer, and this film looks fantastic!  It's well shot, tightly edited, and sounds great.  The film is about two teenage singer songwriters that appear to succeed in sneaking their duo into Woodstock.

Splash, by The Cool Whips, was recorded and mixed at my old Portland, Oregon, studio, PermaPress Recording. It appears on their second album, Baddies.  We intended the album to sound like they were a psychedelic garage band from about 1968.  Splash also appears in the trailer for the film after the two heroines have ingested something psychedelic.  With the phazed fuzz guitar and Eric Ramon's drug dream lyrics, "I want to ride on the back of a bumble bee,"  the song is perfectly placed in the trailer.

So Strange by The Reverberations is also used in Woodstock or Bust.  It appears on their recently released LP, Changes. Here's how we made that album.  And here's their fantastic video for that song.

I'm playing an incredible festival featuring loads of high quality, high desert solo artists and bands.  This is going to be a blast!  It's the nearest pub to our compound.  Hit me up if you want to camp on our land!

It's so nice to be back home in the desert after a successful run of shows in the U.K., a fantastic tour through Oregon and Washington with The Adobe Collective, and another year in the books for recording and mixing the Mt. Hood stage at Pickathon for broadcast.

The studio is coming along!  Here's a pic of it from our first evening back home after more than a month away.

While we were very happy to be back home at our Solar Powered Cabin in the Mojave, our resident barn owl that lives in our defunct water tower, was not as pleased as us about our return.  Here's a short recording of her flying over the cabin while scolding Susan and I.

Kicking off our first European shows ever this July 4 in Bath at St. James Wine Vaults.  After two weeks in the UK, we cross back over the pond and return to where I grew up, the Pacific Northwest, for a run of shows with The Adobe Collective.  Get the details here.

For Episode 4 of The Solar Cabin Sessions, my guest is El Gringo Mariachi.  You many have seen his other name in the credits of The Solar Cabin Sessions.  Sometimes, El Gringo Mariachi goes by Joshua James Huff and he's the director and editor of The Solar Cabin Sessions.  About twenty years ago, I was toiling away in a musty, egg-shell crated little recording studio in Southwest Portland, called Studio 13, doing records for The Exploding Hearts, Pat MacDonald and The Nice Boys.  One day, in 1999, Joshua James Huff of Joshua James and The Runaway Trains came through my door to put some songs down on tape.  On that day, if you told either one of us that two decades down the road we would be collaborating on a recording and video web series set at the remote cabin where I would be living in the Mojave Desert... well, we wouldn't have believed you. 

In the last two decades, Joshua covered a lot of miles becoming fluent in Spanish by immersing himself in Mexico for months at a time, riding his motorcycle all the way from Portland, Oregon, to Guadalajara, Mexico. All the while, Joshua James Huff never set the guitar and songwriting pen down.  A few years ago, as artists will do, he went through a transformation which was sparked by his travels.  While struggling to define the very person that he is - juggling his Mexican heritage here in America with the motorcycle forays into Mexico where he was regularly pointed out as "el gringo" by the locals - Joshua began making tips by playing traditional songs as well as rock and roll in bars in Guadalajara. 

Upon returning to Portland, his new persona emerged, El Gringo Mariachi.  Joshua came into PermaPress Recording with a cracking band featuring Greg Odell on drums, Freddy Trujillo on bass, James Sasser on guitar, Mark Breitenbach on keys, Paul Brainard on trumpet and I even get in some harmonica and lead guitar on a few tunes.  We cut a ten song album which will be out this Fall of 2019.

El Gringo Mariachi brings his mariachi style three piece to the Solar Powered Cabin.  James Sasser is on electric guitar and Balin Strand is on acoustic. 

For The Solar Cabin Sessions Episode 3, our guest is James Sasser who is best known as one half of real country music torch bearers, Miller and Sasser. 

James Sasser's partner, Chris Miller, plays lap steel and electric guitar for Dave Alvin.  Miller's name has also been attached to Asleep at the Wheel, Marcia Ball, Wayne Hancock and Marshall Crenshaw who all tapped into his road dog and recording studio skills via the Austin, Texas, scene where the Portland native had relocated. After a two decade stint there, he's still on the road, but is calling Portland home again, where he teamed up with James Sasser.  That Much Further West, a Portland country music podcast, says, "When it comes to country singers in Portland, it just doesn’t get any better than James Sasser."  With Miller's experience, you know he has discerning taste.

James Sasser was born, raised, and first taught a version of the Nashville number system by his grandmother in John Day, Oregon, population 1800, two hundered and fourty seven lonesome highway miles east from the big city of Portland.  Before Miller and Sasser joined forces, Sasser was proving himself as one of Portland's strongest new country songwriters, landing a few songs on TV and in the movies.  A dream come true for any Eastern Oregon singing cowboy, Sasser's music was used for a college championship tournament commercial that ran during the Final Four for Portland's now long gone local brew, Henry Weinhard.  His east of the Cascade Mountains twanged singing was attracting attention beyond the Portland country music scene.

Sitting down with James Sasser, who pens classic sounding country songs, I was surprised to find out who first inspired him as a songwriter.  I should have been even less surprised that this humble gentlemen and fine songwriter played his partner Chris Miller's song for the episode.  But after all, it is a killer tune.

Miller and Sasser's latest album, Tell It To The Jukebox, is out on Never Lucky Records.  James Sasser plays Tell It To The Jukebox, the title track, for this episode of The Solar Cabin Sessions.

We have a new series we're calling, The Solar Cabin Sessions!  We'll be releasing an episode a week through July featuring songwriters who came out to my homestead cabin in the Mojave Desert and allowed Joshua James Huff and I to film and record them performing a song and discussing their art.  The second episode is out now on YouTube and it will follow up with FaceBook next week.  That means you can catch episodes one week early on YouTube!

In the second episode of our series, Son of The Velvet Rat visit my solar powered cabin in the Mojave Desert.  For director, Joshua James Huff, and myself, it seemed fitting to have them as our first guest band on the show:  the first musical performance that Joshua and I saw at Landers Brew Co, the little pub down the sand road from my cabin, was Son of The Velvet Rat.  I was already a fan of their albums.  Plotting to leave Portland behind for the Mojave Desert, I stumbled across them while investigating what musicians were out there in this wind swept land of boulders and Joshua trees.  Son of The Velvet Rat's music embodies the stark landscape; high contrast between flat dry lakes and mountains, and beautiful panoramas that slowly change in the light of different times of day.  Their songs creep up on you.  Not much seems to be happening at first, and then your imagination runs while following the lyrics and melody.  Between the listener and the song, in that very moment, a world is created.  Not every songwriter is capable of pulling that off. 

Son of The Velvet Rat is currently in Europe continuing a run of performances through July.  Their latest studio album, from Fluff and Gravy and Mint Records, titled Dorado is excellent and is a perfect entrance into their world. For the Solar Cabin Sessions, Son of The Velvet Rat play an unreleased song called Dragon Fly and Water Lily.

Last Friday's show at Furst Wurld was amazing! The photo above features the full band for our upcoming West Coast shows - Tim Chinnock on drums, Faith Chinnock on keys and vocals, and Susan Kearns on bass with Susan's painting, "Let's Stay Together", featured in a graphic by Moth Box. Naomi from Moody Little Sister took this shot.

We're turning up on the radio and in reviews over in Europe just ahead of my first dates ever on the other side of the Atlantic Ocean. You can hear songs from my new album, Down In The Wash, on Edinburgh's Music Routes. And here's a review from ROOTSTIME.  Dates as of today are:

July 4th - St James Wine Vaults, Bath 7:30pm
July 5th - Luna Lounge, London 8:00pm supporting 24 Pesos
July 6th - Platform Tavern, Southampton 9:00pm
July 7th - Berwick Radio Rooms 4.00pm
July 8th - String Theory Café, Kirkstile, Hawick 7:30pm
July 9th - Edinburgh Americana Central at The Voodoo Rooms, Edinburgh 7:00pm
July 10th - Cyprus Inn, Bridge of Earn near 7:30pm - Back St, Bridge of Earn, Perth PH2 9AB, UK
July 11th - The Taybank Hotel - The Boat Road Sessions, Dunkeld 7:30pm
July 12th - Argyll Hotel Friday Acoustic Sessions, Ullapool 9pm
July 14th - Legends, Forres 4pm to 7pm
July 15th  - Beautiful Nairn Nights at WASPS Arts Studios (Workshop & Artists Studio Provision Scotland)

Introducing The Solar Cabin Sessions! We'll be releasing an episode a week through July featuring songwriters who came out to my homestead cabin in the Mojave Desert and allowed Joshua James Huff and I to film and record them performing a song and discussing their art.

In the first episode, I interview Susan Kearns - my wife - who graciously moved to the desert with me a little more than two years ago. In the interview, we discuss some of the challenges we endured, like living through a Mojave summer with no refrigerator or a working swamp cooler. Then we perform my song, Ragtime Bob, which was inspired by Yucca Valley's original name; Lone Star.

Ragtime Bob is from my new album, Down In The Wash, which is out now on Astro Lizard Records.

We have new items in The Store!  Free shipping in the USA!

• Down In The Wash on CD
• Down In The Wash - The Eleven Card Set
• Down In The Wash Deluxe - CD + 11 Card Set

Direct links to digital services (updating as they become available):

• iTunes
• Spotify
• YouTube
  

Thank you, Astro Lizard Records, for getting this one out to the world!

We will have Down In The Wash on vinyl later this year on Tuff Break Records.

I recorded and mixed the songs on Down In The Wash  off the electric grid, powered by solar energy in a homestead cabin in the Mojave Desert where Susan, my beautiful wife, and I live.  The album features a small sample of the amazing musicians that live in this part of the Mojave Desert. Faith and Tim Chinnock from The Adobe Collective both sing.  Tim plays the drums too.  Joe Garcia of Urban Desert Cabaret plays lead guitar.  Luke Dawson from RF Shannon plays the pedal steel. Bobby Furgo (Leonard Cohen, Nancy Sinatra, Lee Hazelwood) plays Lowery Organ.  Susan Kearns plays upright and electric bass. I sing and play guitar, harmonica and organ.  

The front cover is an oil painting, 12 inches by 16 inches, titled Low Wind Howling by Susan Kearns. Susan created a painting for each and every song on Down In The Wash. We took those paintings and turned them into an eleven card set, with excerpted lyrics inside.

All songs on Down In The Wash by Pat Kearns except No Expectations which is by Jagger/Richards

With a Little Time

• Pat Kearns - vocals, acoustic guitar, stomps and claps
• Joe Garcia - electric guitar
• Faith Chinnock, Tim Chinnock, Vera Chinnock, Will Chinnock, Susan Kearns and Paco Kearns - stomps, claps, barks, pots and pans, toy drum

Low Wind Howling (Lazy Country Melody)

• Pat Kearns - vocals, acoustic guitar, electric guitar, harmonica
• Susan Kearns - bass
• Tim Chinnock - drums, vocals
• Faith Chinnock - vocals
• Joe Garcia - 12 string guitar
• Luke Dawson - pedal steel

Let's Stay Together

• Pat Kearns - vocals, acoustic guitar, harmonica
• Susan Kearns - bass
• Tim Chinnock - drums
• Faith Chinnock - vocals
• Joe Garcia - slide guitar
• Bobby Furgo - organ

Long Goodbyes

• Pat Kearns - vocals, acoustic guitar, slide guitar
• Susan Kearns - bass
• Tim Chinnock - drums, percussion
• Faith Chinnock - vocals
• Luke Dawson - pedal steel

No Expectations

• Pat Kearns - vocals, acoustic guitar, harmonica
• Susan Kearns - bass
• Tim Chinnock - drums
• Joe Garcia - slide guitar

Ragtime Bob

• Pat Kearns - vocals, acoustic guitar, harmonica, organ
• Susan Kearns - bass
• Tim Chinnock - drums
• Joe Garcia - guitar

Mojave Moonlight

• Pat Kearns - vocals, acoustic guitar
• Susan Kearns - bass, tambourine
• Joe Garcia - guitar
• Tim Chinnock - vocals
• Faith Chinnock - vocals

Follow The Light

• Pat Kearns - vocals, acoustic guitar, harmonica, organ
• Susan Kearns - bass
• Tim Chinnock - drums
• Faith Chinnock - vocals
• Luke Dawson - pedal steel

We Don't Talk Anymore

• Pat Kearns - vocals, acoustic guitar
• Susan Kearns - bass
• Tim Chinnock - drums
• Joe Garcia - electric guitar
• Bobby Furgo - organ

Time Won't Stop Running

• Pat Kearns - vocals, acoustic guitar
• Susan Kearns - bass
• I Wanna Know How You Feel
• Pat Kearns - vocals, acoustic guitar, harmonica
• Susan Kearns - bass
• Joe Garcia - acoustic guitar

I Wanna Know How You Feel

• Pat Kearns - vocals, acoustic guitar, harmonica
• Susan Kearns - bass
• Joe Garcia - acoustic guitar

My new album, Down In The Wash, is out this Tuesday, May 14.  And this July, I'm playing my first shows in the U.K. - The Mojave Moonlight Tour.  I'll be performing as a duo with Susan Kearns playing upright bass with my acoustic guitar, harmonica and vocal accompaniment.  Find the latest updates and details right here.

Huge props and respect to Rob Ellen of Medicine Music for his guidance and networking.  This never would have been possible without Rob's efforts.